Documentary filmmaking (and journalism as a whole) uses the same storytelling techniques as its fictional counterparts: when we frame a story, it means there’s something past the edges not being seen — the author of a story is directing our attention to a specific place, leaving out some part of the larger context. That’s why it’s crucial to approach every narrative with both curiosity and discernment, recognizing that no single film can capture the full complexity of its subject.
While we need to bring critical thinking to every piece of content we encounter, we also need to listen when someone speaks their truth. Screening a film like No Other Land isn’t about endorsing a singular perspective — it’s about making space for stories that might otherwise go unheard. While No Other Land isn’t a comprehensive history of the Israel-Palestine conflict, it does offer a window into one man’s lived experience.
How — or if — we integrate his reality into our own is a choice each of us has to make.