No matter how its plot unfolds — Michelle is either an alien sent to destroy Earth or merely an amoral executive ruining lives in a more banal, acceptable way — there’s no happy ending coming. But strangely, Bugonia feels like Lanthimos’s most optimistic film yet after exercises in discomfort like The Lobster, The Favourite, and Poor Things.
While those films saw a director confronting his audience with life’s ugly truths, Bugonia reads like a plea to break free of the doomed mindset that increasingly feels like the status quo. We have to do something, anything, to save this world — no matter how crazy it may seem.