There are moments when you might miss the gleeful charm of the first Wicked, especially with Grande’s Glinda, whose deft comedic ability only occasionally peeks through the turmoil here. But it’s a credit to director Jon M. Chu that the heavier subject matter never feels like a slog. Largely mapped over the events of The Wizard of Oz, Chu delivers a steady string of emotional payoffs that keep the story moving.
It all builds an emotional complexity that’s hard for blockbusters of this size to pull off — if they attempt it at all. No one is inherently good or bad in Wicked: For Good. It’s only when its characters stop doing the work, stop trying to make the world a better place, that they truly become wicked.